#criticism

“all contemporary art needs to be media literate. For its part, New Media Art needs above all to be conversant with art history, and to have a working knowledge of contemporary art […] This kind of argument could probably be made for much of the art formerly known as New Media Art, the real power of which today lies in what more and what else, compared to other practices, it can tell us about the destiny and topical nature of abstraction; racial and sexual issues; our globalized world; control and censorship; terrorism and climate change. The art of our time must be measured and assessed in these terms. In order to do so, art criticism must cast off its prejudices on the media nature or the social origin of what it is looking at, and learn to look inside and outside of the art world, and look for art where it is not expected to exist; it must lose that baggage of ignorance (technological on one hand, artistic on the other) that it still carries.”

 

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